Mohga Hassib, who recently interviewed Elias Khoury for ArabLit, also attended his talk at the American University in Cairo. At the talk, he spoke about the value of seeing things afresh, through children’s eyes:
Translating Egypt’s Revolution: The Language of Tahrir, ed. Samia Mehrez, is now available from AUC Press. Although it’s available for sale online and in AUCP bookstores, its official launch will come on June 9 (7 p.m., Oriental Hall, AUC Downtown Campus)…. Read More ›
No, you cannot have a program before you arrive on Saturday morning at 9 a.m., but yes, you can pester the event organizers on their Facebook page, where they say: “The aim of this international conference is to consider and… Read More ›
Yesterday, I briefly mentioned Egyptian playwright Laila Soliman’s controversial summer 2011 theater projects, and her attempts to write “an alternative version of history.” Hers is just one of many artistic projects rushing out into the public squares, streets, theaters, bookstores, art… Read More ›
This is not about a country removing a dictator, but a people trying to find their voice. #Libya
Yesterday evening, Egyptian poets Ahmad Yamani and Nasser Farghaly read at an event titled “Egypt: poetry from the public square,” which, according to the Shubbak website, was intended to “poetry is serving as a mediator of change and public debate in the Arab Uprising.”
Al Jazeera recently interviewed Habib Selmi about his most recent novel, The Women’s Orchards. They ask the International Prize for Arabic Fiction-shortlisted author (for The Scents of Marie Claire, trans. Fadwa Qasem and published AUC Press) if his latest novel hadn’t predicted the revolution. Selmi said that he did not capital-P predict the Tunisian uprising and ouster of President Ben Ali, he was just a good observer of society:
I imagine that Houghton Mifflin Harcourt is putting their money on Revolution 2.0, to be written by Wael Ghonim, translated by (?), and edited by HMH publisher Bruce Nichols. Nichols, presumably, will take a firm hand in shaping the narrative.
After 25 years of Farouk Hosni, Egypt had less than a fortnight of its latest Minister of Culture, Gaber Asfour.
I’ve had to go back to the drawing board with an essay-review about Egyptian fiction that I’d thought was nearly finished. But it didn’t occur to my apparently blinkered brain that this will be true for many authors with much longer and more serious projects.
In his essay yesterday about “State Culture, State Anarchy,” Elliott Colla very briefly touched on author Sonallah Ibrahim’s 2003 put-down of the Egyptian state cultural apparatus.