Enass Khansa and Bilal Orfali on Editing a Series of Classical Arabic Texts for Young Readers

"Something that I was aware of growing up in Syria, but more now that I’m in Lebanon, is that classical Arabic literature is associated with many things, but it’s not associated with being a space for creative and experimental thinking. So I think the main idea for both of us with this is experimental."

The ‘1001 Nights’ Outclassed: The 10th-century Stories of Tanūkhī

"I think Tanūkhī’s stories outclass the Nightsin every way, and unlike Shahrazad, he doesn’t go on and on. His plots are brisk and varied, even though in Deliverance Follows Adversity all the stories are about someone, usually someone just like you or me, getting into some sort of tight spot in one of their less bright moments, and coming out gratefully on the other side[.]"