They are open for submissions through January 31, 2021.
This is where M. Asli Dukan has arrived in her own work, as she moves away from the label of Afrofuturism towards a more unifying vision, what she has started to call “abolitionist futurisms.”
"We value expanding our perceptions, whether through reading narratives or poems from under-represented groups, or through you sharing insight. We are open to unusual yet readable styles, inventive structures and narratives, and works that address political issues in complex and nuanced ways, resisting oversimplification."
"[T]he red notebook, which has fragments from the oral history and memory of a Palestinian woman, and her grandson, will be beyond Ariel’s control. It is the power of the silenced or unheard story, that will never disappear."
"Ze’ev puts me on display in front of the schoolkids in the playground for half an hour. None of them have ever seen a Palestinian before."
The collection, edited by Basma Ghalayini, promises to feature stories from a range of writers, including: Talal Abu Shawish, Awad Saud Awad, Liana Badr, Ramzy Baroud, Selma Dabbagh, Samir El-Youssef, Anwar Hamed, Mazen Maarouf, Ahmed Masoud, Nayrouz Qarmout, and Rawan Yaghi.
" I think there's a growing curiosity about Arabic literature amongst English-language readers in the U.S., and I wanted to teach this class in order to give New York readers a community in which to explore that together."