July 6, 2019July 3, 2019 mlynxqualey

Launching Manara: a ‘MENA Theatre Invasion of the United Kingdom’

April 24, 2019April 23, 2019 mlynxqualey

The Enchanting, the Surprising, the Shocking: ‘Shakespeare on the Arabian Peninsula’

April 3, 2019April 7, 2019 mlynxqualey

Wajdi al-Ahdal on ‘The First Ever Yemeni Theatre Production in the UK’

March 23, 2019March 21, 2019 mlynxqualey

On Translating the Classic Plays in Wannous’s ‘Sentence to Hope’

January 20, 2019January 18, 2019 mlynxqualey

Sunday Submissions: Works by Arab Women Playwrights

September 18, 2018September 17, 2018 mlynxqualey

Remembering Hazem Azmy: ‘United We Dream’

September 4, 2018August 31, 2018 mlynxqualey

Arrival and Illusion in Arabic Theatre’s Northernmost Outpost

June 8, 2018June 7, 2018 mlynxqualey

Friday Finds: Tawfiq al-Hakim’s ‘Secrets of a Suicide’

May 17, 2018May 16, 2018 mlynxqualey

Lebanese Censors Demand Shutdown of Reading, Then Beirut Pride

March 14, 2018March 14, 2018 mlynxqualey

‘Returning to Haifa’: A ‘Depressing and Necessary Reminder of What Is Still at Stake’

January 31, 2018January 29, 2018 mlynxqualey

Arcola Theatre’s Global Queer Plays Include Two by Arab Women

December 18, 2017December 18, 2017 mlynxqualey

Ahmed El Attar’s ‘Before the Revolution,’ Where ‘Revolution Hangs Silently Over Everything’