November 8, 2019 mlynxqualey

Palestinian Playwright Dalia Taha Wins Royal Court Theatre Commission

November 5, 2019November 4, 2019 mlynxqualey

Why a Staged Reading of ‘Question and Question’ by Liwaa Yazji?

October 16, 2019October 11, 2019 mlynxqualey

IndieGoGo: Support Independent Palestinian Theater

September 30, 2019September 24, 2019 mlynxqualey

On Playwright Yusuf al-Ani

August 6, 2019July 13, 2019 mlynxqualey

In/for Translation: 5 Arab Women Playwrights

August 3, 2019July 29, 2019 mlynxqualey

On Hanane Hajj Ali’s ‘Jogging’: Sex, Prime Ministers, and Running in Circles

July 6, 2019July 3, 2019 mlynxqualey

Launching Manara: a ‘MENA Theatre Invasion of the United Kingdom’

April 24, 2019April 23, 2019 mlynxqualey

The Enchanting, the Surprising, the Shocking: ‘Shakespeare on the Arabian Peninsula’

April 3, 2019April 7, 2019 mlynxqualey

Wajdi al-Ahdal on ‘The First Ever Yemeni Theatre Production in the UK’

March 23, 2019March 21, 2019 mlynxqualey

On Translating the Classic Plays in Wannous’s ‘Sentence to Hope’

January 20, 2019January 18, 2019 mlynxqualey

Sunday Submissions: Works by Arab Women Playwrights

September 18, 2018September 17, 2018 mlynxqualey

Remembering Hazem Azmy: ‘United We Dream’