September 18, 2018September 17, 2018 mlynxqualey

Remembering Hazem Azmy: ‘United We Dream’

September 4, 2018August 31, 2018 mlynxqualey

Arrival and Illusion in Arabic Theatre’s Northernmost Outpost

June 8, 2018June 7, 2018 mlynxqualey

Friday Finds: Tawfiq al-Hakim’s ‘Secrets of a Suicide’

May 17, 2018May 16, 2018 mlynxqualey

Lebanese Censors Demand Shutdown of Reading, Then Beirut Pride

March 14, 2018March 14, 2018 mlynxqualey

‘Returning to Haifa’: A ‘Depressing and Necessary Reminder of What Is Still at Stake’

January 31, 2018January 29, 2018 mlynxqualey

Arcola Theatre’s Global Queer Plays Include Two by Arab Women

December 18, 2017December 18, 2017 mlynxqualey

Ahmed El Attar’s ‘Before the Revolution,’ Where ‘Revolution Hangs Silently Over Everything’

December 10, 2017November 30, 2017 mlynxqualey

Sunday Submissions: Global Queer Playwriting/Queer Plays in Translation

October 27, 2017October 25, 2017 mlynxqualey

Friday Finds: ‘Black Rain’, ‘Black Snow’

August 19, 2017August 15, 2017 mlynxqualey

Saturday Summer Re-Runs: Egyptian Novelist Mansoura Ezz Eldin, Carrying the Mantle of Edgar Allan Poe

July 14, 2017July 11, 2017 mlynxqualey

Friday Finds: An Interview with Amer Hlehel and Amir Nizar Zuabi about ‘Taha’

June 12, 2017 mlynxqualey

Hannah Khalil’s ‘Scenes from 68* Years’ Shortlisted for James Tait Black Prize for Drama