In 2006, “Vagina Monologues”-inspired projects launched in Lebanon (“Women’s Talk”) and Egypt (“BuSSy”). In 2012, a similar project launched in Morocco (“Dialy”), although it’s had different struggles.
“Modern historians, I think, would probably pooh-pooh it as a work of history, and I think they would be quite wrong to do so.”
Among other events, Egyptian writer Nawal al-Saadawi kicks off a two-week tour around England and Scotland on International Women’s Day.
Algerian novelist Assia Djebar — frequently mentioned as a Nobel Prize contender and one of the “immortals” of the Académie Française — has died in a hospital in Paris.
The Journey of Hyenas (2013) by Egyptian writer Soheir al-Musadafah, sets the a story of a woman’s seventh-century slavery against the present day.
Nine acclaimed Arab women writers choose favorite novels or collections by other Arab women writers.
How do Gulf women writers adopt — or challenge — nationalist narratives?
On March 22 and 23, Ain Shams University’s Department of English Language and Literature held a two-day conference in honour of Professor Radwa Ashour. Contributor Amira Abd El-Khalek reports from the first day.
Perhaps the most cringe-worthy part of ABC Family’s “Alice in Arabia” announcement was its creator’s apparent assertion that she had written the show not just for the fame and fortune (a motive we can all understand), but “to give Arabs and Muslims a voice on American TV.”
Th. Emil Homerin, author of the recently-published The Principles of Sufism, has long been interested in the work of ‘A’ishah al-Ba’uniyyah, who is perhaps the most prolific and prominent woman who wrote in Arabic prior to the modern period. Homerin, a professor of religion and former chair of the Department of Religion & Classics at the University of Rochester, previously translated a collection of al-Ba’uniyyah’s poems as Emanations of Grace, and likens her work to that of the famous Persian poet, Jalal al-Din Rumi.
7iber’s Siwar Masannat was present at the February 10 shortlist announcement for the International Prize for Arabic Fiction. She writes about the possibilities and im-possibilities of “judging” novels and the relationship between identity and writing style.
Despite my reservations about “The Year of Reading Women,” lists and recommendations of Arabic-writing women who you should read this year.