As always, if you know of books we’ve missed, please put them in the comments or email us at info@arablit.org.
A Nose and Three Eyes, by Ihsan Abdel Kouddous, tr. Jonathan Smolin (Hoopoe Fiction)
It is 1950s Cairo and 16-year-old Amina is engaged to a much older man. Despite all the excitement of the wedding preparations, Amina is not looking forward to her nuptials. And it is not because of the age gap or because of the fact that she does not love, or even really know, her fiancé. No, it is because she is involved with another man.
This other man is Dr Hashim Abdel-Latif, and while he is Amina’s first love, she is certainly not his. Also many years her senior, Hashim is well-known in polite circles for his adventures with women. A Nose and Three Eyes tells the story of Amina’s love affair with Hashim, and that of two other young women: Nagwa and Rahhab.
A Nose and Three Eyes is a story of female desire and sexual awakening, of love and infatuation, and of exploitation and despair. It quietly critiques the strictures put upon women by conservative social norms and expectations, while a subtle undercurrent of political censure was carefully aimed at the then Nasser regime. As such, it was both deeply controversial and wildly popular when first published in the 1960s. Still a household name, this novel, and its author, have stood the test of time and remain relevant and highly readable today.
The Screams of War, by Akram Alkatreb, tr. Jonas Elbousty (Seagull Books)
From the publisher:
The Screams of War is a visceral collection of poems that confront the realities of contemporary Syria. Akram Alkatreb’s verses capture the sense of the quotidian during war. His words, mere “murmurs engraved on stones,” long for and despair over an irrevocable past. At the heart of Alkatreb’s work lies a preoccupation with trauma and the profound burden of alienation that accompanies exile. Nascent memories are shrouded by the “scars of sleep,” and words find themselves nostalgic for destruction. The ubiquity of violence that Alkatreb channels into his poetry does not tolerate enclaves of innocence. The Screams of War is an unforgettable testament to the resilience of the human spirit and a stark reminder of the harsh realities faced by those trapped in conflict.
The Living Things, by Munir Hachemi, tr. Julia Sanches (Coach House Books)
From the publisher:
Living Things follows four recent graduates – Munir, G, Ernesto, and Alex – who travel from Madrid to the south of France to work the grape harvest. Except things don’t go as planned: they end up working on an industrial chicken farm and living in a campground, where a general sense of menace takes hold. What follows is a compelling and incisive examination of precarious employment, capitalism, immigration, and the mass production of living things, all interwoven with the protagonist’s thoughts on literature and the nature of storytelling.
Sololand: The Clock and The Guests, by Hassan Blasim (Comma Press)
From the publisher:
Hassan Blasim is an Iraqi writer currently based in Finland. Born in Baghdad in 1973, he studied at the city’s Academy of Cinematic Arts, where two of his films ‘Gardenia’ (screenplay & director) and ‘White Clay’ (screenplay) won the Academy’s Festival Award for Best Work in their respective years. In 1998, after several arrests, he was advised by his tutors to leave Baghdad – the overtly political and critical nature of 