Where is Everybody?
Women Recommending Women: Favorite Book Spaces
Palestinian Sittis and the Inheritance of Memories
Fiction
Stealing Sleep, Reclaiming Tomorrow
In the opening pages of The Sleep Thief by Ibtisam Azem (tr. Sinan Antoon), Palestinian protagonist, Gharib Haifawi, recounts how he was dubbed the “sleep thief” by his interrogators during his imprisonment.
‘By Candlelight’: Short Fiction by Latifa al-Zayyat
Part of our focus, this Women in Translation Month (#WiTMonth), is on classic Arabic works by women, especially those at the margins of (or neglected entirely by) critical and readerly attention.
From Zainab Hifni’s ‘I Was Here Yesterday’
‘I Was Here Yesterday; is set between Saudi Arabia and the Florida coast and entangles grief and memory, centering on how the narrator grapples with her mother’s death and the truths about her mother’s life—and her own—that she uncovers.
Poetry
Poems of Whiskey and Regret by Rasha Omran
These poems, translated by Phoebe Carter, are from Rasha Omran’s sixth collection, “A Secret Wife of Absence.”
New Poetry in Translation: Sayed Abolela’s ‘Cinema’
This poem is from a forthcoming collection, مصمم معارك, to be published by the General Egyptian Book Organization.
Interviews
Palestinian Sittis and the Inheritance of Memories
In this conversation, Hooda Shawa offers inspiring insight into her experience writing such a personal and powerful novel as well as herself as an author.
On the New Platform, ‘Palestine is Everywhere’
Editors of the anthology Palestine is Everywhere — Skye Arundhati Thomas, Edwin Nasr, and Gloria Habsburg — recently launched a new “Palestine is Everywhere” platform to host a series of monthly commissions, “creating an ongoing space to support and amplify the work of artists, writers, and practitioners from Palestine and the wider region.”
On the Choice to Write in Colloquial Arabic
“Some classical poets feel that the popularity of colloquial writers has nothing to do with the quality of their work, but rather because they have chosen the easier path.”
In Focus
From the archives
For Valentine’s Day: The Many Loves of Nizar Qabbani
Your love has taught me… how to be sad.
And I have needed, for ages
A woman to make me sad
A woman in whose arms I could weep
Like a sparrow,
‘Writing in Gaza’: by Yousef el-Qedra
A Talk with Poet Golan Haji: ‘Languages Never Draw Geographical Boundaries’
” Jaziri wrote poetry with one set of alphabets which at that time were used in four languages: Kurdish, Ottoman Turkish, Persian, and Arabic. Sometimes, he used the four languages in one couplet. His poems are still recited and sung by Kurds. That coexistence of languages was quite natural, the alluring music was convincing, although I sometimes understood almost nothing.”