Poems of Whiskey and Regret by Rasha Omran
Beyond the Workshop: How a Writing Community Was Born
From Zainab Hifni’s ‘I Was Here Yesterday’
Fiction
From Zainab Hifni’s ‘I Was Here Yesterday’
‘I Was Here Yesterday; is set between Saudi Arabia and the Florida coast and entangles grief and memory, centering on how the narrator grapples with her mother’s death and the truths about her mother’s life—and her own—that she uncovers.
Short Fiction from Syria: ‘The Blacklist’
Haseeb Al-Zainy’s “The Blacklist” appears in the new anthology The Book of Damascus: A City in Short Fiction, out this month from Comma Press.
Classic Short Fiction: ‘A Criminal Against His Will’
“It was five o’clock in the morning. The station, faintly illuminated by dim lamps, lay beneath a murky canopy of locomotive smoke. Qasim stood beside the steps of one of the coaches, gazing at the station clock.”
Poetry
Poems of Whiskey and Regret by Rasha Omran
These poems, translated by Phoebe Carter, are from Rasha Omran’s sixth collection, “A Secret Wife of Absence.”
New Poetry in Translation: Sayed Abolela’s ‘Cinema’
This poem is from a forthcoming collection, مصمم معارك, to be published by the General Egyptian Book Organization.
Interviews
On the New Platform, ‘Palestine is Everywhere’
Editors of the anthology Palestine is Everywhere — Skye Arundhati Thomas, Edwin Nasr, and Gloria Habsburg — recently launched a new “Palestine is Everywhere” platform to host a series of monthly commissions, “creating an ongoing space to support and amplify the work of artists, writers, and practitioners from Palestine and the wider region.”
On the Choice to Write in Colloquial Arabic
“Some classical poets feel that the popularity of colloquial writers has nothing to do with the quality of their work, but rather because they have chosen the easier path.”
Translating Trauma, the Trauma of Translating
Here, Leri Price talks about the referred trauma (and guilt) of translating testimonies from a genocide, how she worked with translators bringing the book into other languages, and the particular challenges of translating this book.
In Focus
From the archives
‘Resistance and the Palestinian Folk Song’
For Valentine’s Day: The Many Loves of Nizar Qabbani
Your love has taught me… how to be sad.
And I have needed, for ages
A woman to make me sad
A woman in whose arms I could weep
Like a sparrow,
Jonathan Smolin on the Relationship Between Ihsan Abdel Kouddous’s Politics and His Novels
“My book really is an examination of how he participated in the coup ,and how he believed fundamentally that the Free Officers were going to install democracy, and—once he realized that they were actually installing military dictatorship—the way he dissented, in the editorials and in person, the way that he was jailed, and the way he turned to fiction to express his dissent directly to Nasser.”