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In the opening pages of The Sleep Thief by Ibtisam Azem (tr. Sinan Antoon), Palestinian protagonist, Gharib Haifawi, recounts how he was dubbed the “sleep thief” by his interrogators during his imprisonment.

Part of our focus, this Women in Translation Month (#WiTMonth), is on classic Arabic works by women, especially those at the margins of (or neglected entirely by) critical and readerly attention.

‘I Was Here Yesterday; is set between Saudi Arabia and the Florida coast and entangles grief and memory, centering on how the narrator grapples with her mother’s death and the truths about her mother’s life—and her own—that she uncovers.

“In her poetry world, the sun is red. The moon is purple. Snow is ubiquitous. Winter is eternal.”

These poems, translated by Phoebe Carter, are from Rasha Omran’s sixth collection, “A Secret Wife of Absence.”

This poem is from a forthcoming collection,  مصمم معارك, to be published by the General Egyptian Book Organization.

In this conversation, Hooda Shawa offers inspiring insight into her experience writing such a personal and powerful novel as well as herself as an author.

Editors of the anthology Palestine is Everywhere — Skye Arundhati Thomas, Edwin Nasr, and Gloria Habsburg — recently launched a new “Palestine is Everywhere” platform to host a series of monthly commissions, “creating an ongoing space to support and amplify the work of artists, writers, and practitioners from Palestine and the wider region.”

“Some classical poets feel that the popularity of colloquial writers has nothing to do with the quality of their work, but rather because they have chosen the easier path.”

” Jaziri wrote poetry with one set of alphabets which at that time were used in four languages: Kurdish, Ottoman Turkish, Persian, and Arabic. Sometimes, he used the four languages in one couplet. His poems are still recited and sung by Kurds. That coexistence of languages was quite natural, the alluring music was convincing, although I sometimes understood almost nothing.”