The Latest

“It was ridiculous, the way the battle of tuk-tuks and microbuses began.”

Areej Gamal’s Sawiris-winning novel Mariam, It’s Arwa appeared at the end of last month in Addie Leak’s translation. The titular Arwa and Mariam meet near Cairo University during the 2011 Egyptian uprising, and the encounter changes them both.

Saïd Khatibi’s I Resist the River’s Course — on the shortlist for the 2026 International Prize for Arabic Fiction (IPAF), with a winner set to be announced online April 9 — chronicles half a century of Algerian history, from the Second World War to the early 1990s.

“I want to step out on my balcony and hang my laughter out on the clothesline, so that passersby can catch hold of it, scale the wall to the fourth floor, and laugh with me.”

“Who am I? / I am not myself.”

“They walk beneath the sky. As their arms extend. As they grow new arms. As they carry their children.’

Translator-scholar Jonas Elbousty talks with Roger Allen about his journey in the field of Arabic Studies.

In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Elliott Colla look into two dimensions of translation, which Colla calls the solidaristic and the hegemonic, and the particular role translation has played in the US military.

“Sometimes, I believe that silence itself could carry meaning in the face of this barbarity. Sometimes, I tell myself that I’ll stop documenting atrocities and only write literature. But all of this only makes sense in the context of our desire for justice, our desire to preserve the true essence of humanity.”

“My book really is an examination of how he participated in the coup ,and how he believed fundamentally that the Free Officers were going to install democracy, and—once he realized that they were actually installing military dictatorship—the way he dissented, in the editorials and in person, the way that he was jailed, and the way he turned to fiction to express his dissent directly to Nasser.”