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“So you are still determined to sell the three mules?”

“The Wall,” by the massively popular Ahmed Khaled Tawfik (1962-2008) is from his collection “Now I Understand.”

“It was ridiculous, the way the battle of tuk-tuks and microbuses began.”

“The city wakes up in obituaries.”

“I want to step out on my balcony and hang my laughter out on the clothesline, so that passersby can catch hold of it, scale the wall to the fourth floor, and laugh with me.”

“Who am I? / I am not myself.”

Tracing the Ether Contemporary Poetry from Saudi Arabia, ed. Moneera Al-Ghadeer, came out late last year from Syracuse University Press. The anthology brings together 26 poets responding to — and writing a new future for — a rapidly changing Saudi Arabia. Moneera answered a few questions about the collection.

Translator-scholar Jonas Elbousty talks with Roger Allen about his journey in the field of Arabic Studies.

In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Elliott Colla look into two dimensions of translation, which Colla calls the solidaristic and the hegemonic, and the particular role translation has played in the US military.

” Jaziri wrote poetry with one set of alphabets which at that time were used in four languages: Kurdish, Ottoman Turkish, Persian, and Arabic. Sometimes, he used the four languages in one couplet. His poems are still recited and sung by Kurds. That coexistence of languages was quite natural, the alluring music was convincing, although I sometimes understood almost nothing.”

“In Ways of the Lord, Christians are mistaken for being Jews and are accused of spying for Israel, which demonstrates the lack of recognition of Copts and their conflation with other minorities.”