Hisham Matar: On the Novelist and Dictatorship
Libyan creative writer Hisham Matar writes as if he dreams; no detail is without a symbol or an emotional function.
Libyan creative writer Hisham Matar writes as if he dreams; no detail is without a symbol or an emotional function.
MARCH March 6-10 Emirates Lit Fest March 6-16 Riyadh International Book Fair March 14 “This is Jerusalem“: Poetry by Najwan Darwish and music by Basel Zayed. 8 p.m. at the Free Word Lecture […]
Egypt undoubtedly occupies and has occupied a central place in Arabic literary production. Is this the result of colonial-era pressures and boundary-making? Or is it because of a long-standing and […]
Why I think Ahdaf Soueif’s structural choices in Cairo: My City, Our Revolution were simple but brilliant (from the Egypt Independent): Ahdaf Soueif’s “Cairo: My City, Our Revolution” is an addition to the […]
By Jennifer Sears and Katrina Weber Ashour The recent panel discussion “Music, Literature and Comparative Composition: The Task of Translation,” sponsored by Columbia University’s Institute for Comparative Literature and Society, raised […]
For a few brief moments, my husband and I considered registering our one-year-old’s second name as “Ta7rir.” The 7 is the most popular way to represent the breathier, harder Arabic […]
From the mailbag: The third annual Translation Conference, organized by the Translation and Interpreting Institute, Bloomsbury Qatar Foundation Publishing, and the British Council, is set to [begin] on April 29, […]
This post was launched by Mona Elnamoury’s presentation at on the “Narrating the Arab Spring” conference that took place from Feb. 18-20 at Cairo University. By Mona Elnamoury It was […]
By Assmaa Naguib “Asmaa Mahfouz will never ever ever ever ever be a representative of the revolution.” This passionate statement was made by an audience member at a panel of the […]