Why Algerian Novelist Boualem Sansal’s ‘2084’ is a Sensation in France
“Think you might read ‘2084’? You should, but be prepared.”
“Think you might read ‘2084’? You should, but be prepared.”
Translator Valentina Viene profiles “Muslim Libyan Arab British graphic novelist” Asia Alfasi, who has moved from writing about her identity to, more broadly, life in Libya and Scotland.
“As a translator, one of the most impressive and delightful feats in the English version is where Nada and her father unwind in the evening by playing a beloved poetry game.”
“…it’s a fast-paced, novella-length work, reminiscent of Muriel Spark’s ‘Driver’s Seat’, both for its black humor and for the way its characters slide precipitously into danger.”
The Journey of Hyenas (2013) by Egyptian writer Soheir al-Musadafah, sets the a story of a woman’s seventh-century slavery against the present day.
Hanan al-Shaykh’s latest novel — The Virgins of Londonistan — was released in late November at this year’s Beirut Book Fair. Reviewer Mishka Mojabber Mourani found it to be both flirtatious and important.
Reviewer Alexandra Atiya found a challenge to received ideas of masculinity in Iraqi novelist Muhsin al-Ramli’s “Dates on My Fingers” (2014), translated by Luke Leafgren.
We have become so accustomed to thinking of religion as a place of singularity in human identity that Diary of a Jewish Musilm gives all the shock in translation that author Kamal Ruhayyim surely intended in the original.
It’s easy to see why Ferial Ghazoul and John Verlenden would choose the “Chronicles of Majnun Layla” as the centerpiece of their Qassim Haddad collection, which brings together work that spans the Bahraini poet’s career.