Books that Open Worlds: A Palestinian Reader’s Journey
“Ultimately, the arrival of Asad’s Secret in English is as much an act of preservation as it is an act of translation.”
“Ultimately, the arrival of Asad’s Secret in English is as much an act of preservation as it is an act of translation.”
Since 2002, the Palestinian cartoonist Mohammad Sabaaneh has been building a visual archive of Palestinian resistance.
“A Mask the Color of the Sky” practices what it clearly laid out: using literature to engage obsessively with colonial details, to challenge them, and to insist on a Palestinian narrative.
On a review that nearly didn’t happen.
“With Yehia, the play is everything. So, we make sure that sets, costumes and props fit in one car. This way we are ready to perform at short notice.” – Maria Douaihy on “Qornet el Bayda.”
In his 2015 autobiography, A Time of Wind, Anxiety, and Freedom (أزمنة الريح والقلق والحرية ), Sudanese scholar Dr. Hayder Ibrahim Ali offers a rare and insightful account of Sudan’s intellectual and political life.
Lebanese artist and writer Lamia Ziadé’s fifth illustrated book for adults, Rue de Phénicie, (Phoenicia Street), is a work of intellectual rigor and personal honesty. It’s a story that begins with finding hedonistic joy in Paris grows progressively more complicated by her excavations of the past and grappling with the present.
Gaza-based Palestinian writer Husam Maarouf responds to Batool Abu Akleen’s ’48 kg.’
When can loss that never ends be said to have happened? When will absence finally finish arriving? Who is the self if left partial, displaced from identity to be found neither here nor there? And if loss defines us, when may we be ourselves?