In the Details: Masks, Memory, and Narrative Defiance
“A Mask the Color of the Sky” practices what it clearly laid out: using literature to engage obsessively with colonial details, to challenge them, and to insist on a Palestinian narrative.
“A Mask the Color of the Sky” practices what it clearly laid out: using literature to engage obsessively with colonial details, to challenge them, and to insist on a Palestinian narrative.
On a review that nearly didn’t happen.
“With Yehia, the play is everything. So, we make sure that sets, costumes and props fit in one car. This way we are ready to perform at short notice.” – Maria Douaihy on “Qornet el Bayda.”
In his 2015 autobiography, A Time of Wind, Anxiety, and Freedom (أزمنة الريح والقلق والحرية ), Sudanese scholar Dr. Hayder Ibrahim Ali offers a rare and insightful account of Sudan’s intellectual and political life.
Lebanese artist and writer Lamia Ziadé’s fifth illustrated book for adults, Rue de Phénicie, (Phoenicia Street), is a work of intellectual rigor and personal honesty. It’s a story that begins with finding hedonistic joy in Paris grows progressively more complicated by her excavations of the past and grappling with the present.
Gaza-based Palestinian writer Husam Maarouf responds to Batool Abu Akleen’s ’48 kg.’
When can loss that never ends be said to have happened? When will absence finally finish arriving? Who is the self if left partial, displaced from identity to be found neither here nor there? And if loss defines us, when may we be ourselves?
Several authors who contributed short stories to the collection spoke about their thoughts on the collapse of time, historical continuities and the notion of fighting ideological fantasy with fiction.
From the very first lines of her introduction, editor Basma Ghalayani thrusts us right into a hurried, pulsing Gaza. A passerby asks a Gazan sprinting down the street if something has happened. He answers, “no, but it might.”