The ‘Ideal’ Text for Showing the Importance of Poetry in Ninth-century Baghdad
“The caliphs like this poetry because it’s a new aesthetic. It’s like having your portrait painted by the latest artist.”
“The caliphs like this poetry because it’s a new aesthetic. It’s like having your portrait painted by the latest artist.”
“From my window the sand made lustrous by the moonlight is clear and close as if its surface has risen toward me. The light of the moon carries the sand almost to meet me.”
“The trial was adjourned until January 2 for a final verdict.”
“Its mastery is in its slow, meticulous, stagnant narration, but it is a stagnation that serves a purpose and is the writer’s means to evoke the boring empty life devoid of any form of self-fulfillment led by this unhappy imam.”
“During the 1970s, when my father was in his mid-forties, he announced to me his fear that the numbers of men of religion would diminish.”
This year’s panel of judges is made up of scholars and translator-scholars: Tahia Abdel Nasser, Shereen Abouelnaga, Mona Tolba, Humphrey Davies, and Rasheed El-Enany.
In addition to the $20,000 monetary award, the prize will also provide support toward the collection’s English-language translation and publication.
“[H]e is being subjected to smear campaigns on account of defending his right as well as his fans’ right to freedom of expression, and the right to criticize the absence of freedoms, and the deteriorating media scene in Egypt.”
“The application deadline is January 1, 2016.”