According to the PTC, “Mauritanian poetry has rarely been translated into English, so this was a very welcome opportunity to encounter the work of Mauritania’s leading woman poet.”
Al-Barra is part of what’s called the country’s “third generation” of poets, and sometimes uses free verse. The PTC focused its April 6 session on “انا والشعر” or her “Poetry and I.” The notes about the group’s translation process focus mainly on how to render individual words and phrases rather than on rhythm, sound, or echo, although presumably these were discussed (and argued over?) as well.
This is, I’m sure, an excellent way to get inside a poem. But the result is just one English version, which seems to close down the process too much. On the other hand, the multiple translations of Dr. Samia Mehrez’s “Translating the Revolution” course at the American University in Cairo open up an ongoing space for discussion.
Yet even there, while viewers can post comments on the course blog “Unsettling the Dust,” it seems that the discussion is largely finished by the time the audience arrives. What would be fun: to follow this up with a live translation slam.
According to PEN American, live translation slams “proved to be audience favorites at the Blue Metropolis Montreal International Literary Festival, and again at PEN World Voices.” PEN also has hosted an online translation slam.
In general, I try not to advocate competition over collaboration. But I think—as a general body of translators, reviewers, publishers, and readers—we need to look at a greater range of possibilities and think harder about which things work and which don’t, and why.
Also, an interesting blog post from earlier this year, about “prose in the land of poetry,” that is, Mauritania. Among other things, author Elycheikh Bah Ahmedtolba posits: “In Mauritania, it is difficult to write prose since the poetry is the only literary standard prototype prevailing and many people are poets. It is to say that prose was the outcome of displacement from the open nomadic horizon into the narrow space of the city with all its impositions and inclinations.”