The Latest

Over the next six weeks, we will be publishing installments of Emile Habiby’s The Six-Day Sextet, which is available in an open-access, non-commercial translation by Invisible Dragoman. The next installment is set to appear February 9, 2026.

In this short fiction from Kuwait, the central character and his author are in a standoff over a telephone call.

Short fiction by Mohammed Hussein Heikal (1888 – 1956) about marriage and money in early twentieth century Egypt.

“Hold me before the game ends. / Like everything else, / grief needs time / to become a language.”

“The temperature dipped a little / but the country’s still burning—”

“I survived—came out of yesterday / alive, carried out on the shoulders / of the wind.”

Will Tamplin has devoted much of his work in translation to sharing the literary world of the exceptionally complex Jabra Ibrahim Jabra. In this interview, Tamplin explores his motivation behind this continuous dedication to Jabra’s work, as he dives into his experience translating The Other Rooms.

In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Zia Ahmed discuss approaching Arabic translation via English and Urdu, the layers of “outsider-ness” in translation, and the boom of narrative fiction in Oman.

In this conversation over e-mail, Sinan Antoon talks about the novel, the fraught nature of collective memory, the process of self-translation, and the sort of “security checkpoints” a book must pass through in the process of translation.

” Jaziri wrote poetry with one set of alphabets which at that time were used in four languages: Kurdish, Ottoman Turkish, Persian, and Arabic. Sometimes, he used the four languages in one couplet. His poems are still recited and sung by Kurds. That coexistence of languages was quite natural, the alluring music was convincing, although I sometimes understood almost nothing.”