From ‘The Country Doctor’s Tale’
At this point in ‘The Country Doctor’s Tale,’ the titular country doctor is returning from a house call when he suddenly discovers political posters everywhere, even on the walls of the clinic.
Fiction
Classic Short Fiction: ‘The Funeral of the Machine’
“So you are still determined to sell the three mules?”
Ahmed Khaled Tawfik’s ‘The Wall’
“The Wall,” by the massively popular Ahmed Khaled Tawfik (1962-2008) is from his collection “Now I Understand.”
From Mohamed Abd ElGawad’s ‘A Report on the Pussycat’
“It was ridiculous, the way the battle of tuk-tuks and microbuses began.”
From Areej Gamal’s ‘Mariam, It’s Arwa’
Areej Gamal’s Sawiris-winning novel Mariam, It’s Arwa appeared at the end of last month in Addie Leak’s translation. The titular Arwa and Mariam meet near Cairo University during the 2011 Egyptian uprising, and the encounter changes them both.
From Saïd Khatibi’s ‘I Resist the River’s Course’
Saïd Khatibi’s I Resist the River’s Course — on the shortlist for the 2026 International Prize for Arabic Fiction (IPAF), with a winner set to be announced online April 9 — chronicles half a century of Algerian history, from the Second World War to the early 1990s.
From Ghazi Algosaibi’s ‘Abu Shalakh, the Chameleon’
“Abu Shalakh, the Chameleon” is a 2002 fantastical, satirical novel by Ghazi Algosaibi (1940-2010) in which the Saudi literary giant and politician recounts the history of the Kingdom and its global entanglements through Abu Shalakh, a lovable liar, unreliable storyteller, and self-proclaimed “truth-teller.”
Classic Short Fiction: ‘The Crown of Disgrace’
“He did not say goodbye when he rose to leave.”
From Iman Humaydan’s ‘Songs for Darkness’
“She closed her olive-green eyes and sang songs she’d learned from the women in her family.”