August 15, 2017August 15, 2017 mlynxqualey

Malika Moustadraf’s ‘Just Different’

June 18, 2017June 15, 2017 mlynxqualey

Sunday Submissions: 30 Maghrebs, 30 Years in the Future

April 13, 2017 mlynxqualey

Translator Alex Elinson on Novelist Youssef Fadel’s Shift Away from Colloquial

March 30, 2017March 28, 2017 mlynxqualey

Moroccan-Belgian Writer Taha Adnan on Why He Stays Faithful to Arabic

March 15, 2017March 14, 2017 mlynxqualey

Alex Elinson on Translating the ‘Power of Laughter in the Face of Economic and Social Despair’

March 14, 2017March 14, 2017 mlynxqualey

‘A Beautiful White Cat Walks with Me’: The More I Think About It, The Funnier It Gets

March 1, 2017February 23, 2017 mlynxqualey

Tired of Cyberbullying and Fake Rebels? There’s Yassin Adnan’s ‘Hot Maroc’

January 25, 2017January 25, 2017 mlynxqualey

WWB Recommends: Translate Aziz BineBine’s ‘Tazmamort’

January 23, 2017January 25, 2017 mlynxqualey

The Prix Goncourt: On Bourgeois Literature and the Drawbacks of Awards

December 10, 2016December 7, 2016 mlynxqualey

Trouble in the Classroom : Education and Moroccan Literature in French

October 26, 2016October 25, 2016 mlynxqualey

Novel by Leila Slimani Finalist for Both France’s Goncourt and Renaudot Prizes

September 9, 2016September 9, 2016 mlynxqualey

France’s ‘Prix de la Littérature Arabe’ to Translation of Inaam Kachachi’s ‘Tashaari’