We Knocked Until Our Hands Broke
Gaza-based Palestinian author Alaa Alqaisi asks herself the question posed more than half a century ago at the end of Ghassan Kanafani’s “Men in the Sun”: Why didn’t they knock on the walls of the tank?
Gaza-based Palestinian author Alaa Alqaisi asks herself the question posed more than half a century ago at the end of Ghassan Kanafani’s “Men in the Sun”: Why didn’t they knock on the walls of the tank?
However, for me, the most precious of all the manuscripts in my library were the six stories I wrote in Israeli jail. These were the first stories I ever wrote, penned during a few months of incarceration following my participation in the First Intifada in 1992. I wasn’t quite 19 when I wrote those stories. I “published” them by hanging them on the wall of the prison.
“The sentence’s shortfall is a wound that requires a crutch to prop it up, an absence in need of a wall brought tumbling down by the continuous bombing in Gaza, and countless buildings writhing from the cries.”
Translating the Unseen: Gaza’s Sky and Anne Carson’s Vision By Alaa Alqaisi It began with an email from Dr. James Heaney, a professor of English and Irish studies at Carlow […]
This essay, written by poet Nasir Abdullah in the fall of 2024, carves out the difficulties of being separated from family during genocide. A Bird with Wings of Fire By […]
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By Mahmoud Al-Shaer ed. Wiam El-Tamami Mahmoud Al-Shaer is a Palestinian editor, curator, poet, and cultural organizer. He is an active and influential member of the cultural field in Gaza, […]
By Mahmoud Al-Shaer ed. Wiam El-Tamami Mahmoud Al-Shaer is a Palestinian editor, curator, poet, and cultural organizer. He is an active and influential member of the cultural field in Gaza, […]
Nine Moments in Gaza By Samah Hasanain Translated by Enas Eltorky 1- All speech is merely a brief scene summarizing the story: the wolf steals Laila’s dress, her voice, and […]