Friday Finds: ‘An Authentic Corruption’ by Hermes
“I do not write in the day what I write in the night / because I am like the owl, I have / a slow wing clap and eyes / open to the blight.”
“I do not write in the day what I write in the night / because I am like the owl, I have / a slow wing clap and eyes / open to the blight.”
In ArabLit’s annual feature, authors, critics, and contributors recommend their favorites of 2019.
She was also inspired by Algerian cartoon artist Slim, and the Moroccan author Abdellah Taïa, who writes openly about being gay — and, of course, the Amazigh queen, Kahina.
In his statement Yasir Suleiman, chair of the Board of Trustees, noted that the longlist was dominated by North African writers, with four books by Algerians, one by a Moroccan writer, one from Tunisia, one from Libya, and two from Egypt. No publisher, this year, had more than two books on the longlist.
Winners are set to be announced January 10, 2020, at the Grand Theater of the Cairo Opera House.
“A lizard? Shame on you. Of course, I mean, all due respect to the lizards. But I am not a lizard. I am a dragon.”
Submissions of 2-3 poems are preferred, but individual poem submissions will also be accepted.
In short, Junge writes that al-Fāriyāqīya demands the right to a woman’s participation in lust, which means not only sexual desire, but also social and cultural desires — and thus also linguistic pleasures. Women’s emancipation here means not only women’s participation in knowledge, but also in lust. Woman here are not the object of pleasure, but its subject.
As my husband gets ready for a TV interview about his latest short story collection, he receives a phone call from the host, asking: “What are we going to do about January 25?”