Friday Finds: Two Newly Translated Stories by Radwa Ashour
“He was sitting, motionless, his face frozen as though sculpted from stone, staring into nothingness as though he had lost his hearing or his sight.”
“He was sitting, motionless, his face frozen as though sculpted from stone, staring into nothingness as though he had lost his hearing or his sight.”
“Watan, for me, is a way to teach others what I’m learning as well — in a sort of an easily digestible way in a hypervisual and overloaded world.”
So, from the 2018 Prize year onwards, IPAF organizers are introducing a new “quota system” that privileges large and established publishers, whereby the number of books each publisher can submit “will depend on that publisher’s inclusion in longlists over the previous five years[.]”
According to the Sheikh Hamad Award website, $200,000 is awarded in each category. In each, there is a first prize ($100,000), a second ($60,000), and a third ($40,000).
“Finally, I thank those who selected my novel for this prize: you have awarded me a moment of joy, of which I was most in need.”
“The candid depiction of the worsening situation of Egyptian Christians and their alienation in their own country is touching and sensitively written,” prize judge Rasheed El-Enany wrote in his remarks.
“The year’s judges are Tahia Abdel Nasser, Shereen Abouelnaga, Humphrey Davies, Rasheed El-Enany, and Mona Tolba.”
Most recently — less than a month ago, in late November — Mahfouz made news when crank MP Abul Maaty Mustafa said, at a parliamentary debate, that “Naguib Mahfouz deserves punishment” for “violating public decency.”
What’s going on in the fictional Moroccan classroom?