Launching ‘In Focus: IRAQ’
Our first focus is IRAQ, curated by contributor Hend Saeed.
Our first focus is IRAQ, curated by contributor Hend Saeed.
“Sometimes, after an initial agreement with the writer on a certain artwork, I read the text and then suggest some changes in the artwork, so I do some retouching on the work to be more suitable for the book.”
These thirteen books (six novels, three works of literary nonfiction, a graphic novel, a poetry collection, a short-story collection, and a collection of playtexts) provide a not-insubstantial literary landscape of contrasting visions and emotions:
“Will they shoot again?” the little girl asks her mother.
“His illusions, his distant dreams, and his winged fantasies seemed to flutter quietly with emotion and land on his poems, leaving their enchanting colorful feathers on them.”
“This chant reflects the intersections of football, politics, socioeconomics, migration, and the feelings of hogra. For those who want to escape the ills of the homeland, the wooden boat is often a symbol of their freedom.”
“He was a multi-faceted person: romantic, short tempered, and self-loving with a high self-esteem. When surrounded by friends he liked, he would laugh hysterically. In him there was a mixture of spontaneity, adventure, and shrewdness. He was not malicious, and he believed in what he wrote.”
“In the end, they were like two birds perched in the tree. They stood behind the window and looked at the garden, which grew wider and wider to include the whole scene, where the old ones’ inner monologue ran like rushing water in the spaces of the evening, with senility’s trembling echoes.”
As far as we know, there is not an anthology of work by Syrian women writers, in English translation.