On Music, Memory, and Damascus
“Music is one of the arts most connected to place, as it is a physical vibration in a space.”
“Music is one of the arts most connected to place, as it is a physical vibration in a space.”
The Book of Damascus, ed. Zaher Omareen, is a new anthology in their “Reading the City” series. Here, editor Zaher Omareen talks with Fifi Bat-hef about selecting ten stories to represent a city as complex and storied as Damascus.
In this conversation, Hooda Shawa offers inspiring insight into her experience writing such a personal and powerful novel as well as herself as an author.
Editors of the anthology Palestine is Everywhere — Skye Arundhati Thomas, Edwin Nasr, and Gloria Habsburg — recently launched a new “Palestine is Everywhere” platform to host a series of monthly commissions, “creating an ongoing space to support and amplify the work of artists, writers, and practitioners from Palestine and the wider region.”
“Some classical poets feel that the popularity of colloquial writers has nothing to do with the quality of their work, but rather because they have chosen the easier path.”
Here, Leri Price talks about the referred trauma (and guilt) of translating testimonies from a genocide, how she worked with translators bringing the book into other languages, and the particular challenges of translating this book.
Today, Kawthar al-Jahmi talks about her writing and reading journeys, the role of literary prizes, submitting her novel to the publisher a day before giving birth, and developing a writing practice while working and raising children.
This month, Hoopoe Fiction (an imprint of AUC Press) publishes Charles Akl’s debut novel Red Like Orange, which won a 2023 Sawiris Cultural Award. Now, three years later, Sarah Enany’s translation of this novel is available to a new readership.
In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Sarah Enany talk about some of the particulars about translating for the stage and, particularly, for song.