On Translating the Omani Natural Landscape
Marilyn Booth reflects on her experience translating Zahran Alqasmi’s work and provides insight on greater questions of translation.
Interviews
Translating Oman
The”Translating Oman” event, hosted by Syracuse University Press, featured a discussion about Omani literature and translation.
On Translating Egyptian Village Life
In this conversation with Neil Hewison, we discuss what brought him to Mohamed Mansi Qandil’s The Country Doctor’s Tale, the pleasures of the Egyptian village novel, Mansi Qandil’s attention to women’s pain, and what makes a “modern classic.”
Unlocking Palestine: Sara Yasin on Editing ‘The Key’
In the latest episode of the BULAQ podcast, co-hosts M Lynx Qualey and Ursula Lindsey talk with editor-writer Sara Yasin about the new publication The Key.
On Translation, Love, and Israeli Prison
Addie Leak talks with Tugrul Mende about the translation process, literary awards, and two very different translations processes: translating one book through a riot of multilingual voicenotes and another by an author who was inaccessible, in an Israeli prison.
Moneera Al-Ghadeer Answers: ‘Why Saudi Poetry?’
Tracing the Ether Contemporary Poetry from Saudi Arabia, ed. Moneera Al-Ghadeer, came out late last year from Syracuse University Press. The anthology brings together 26 poets responding to — and writing a new future for — a rapidly changing Saudi Arabia. Moneera answered a few questions about the collection.
On the Field of Arabic Studies
Translator-scholar Jonas Elbousty talks with Roger Allen about his journey in the field of Arabic Studies.
Translation and Solidarity in Times of Imperial Mass Violence
In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Elliott Colla look into two dimensions of translation, which Colla calls the solidaristic and the hegemonic, and the particular role translation has played in the US military.
Samar Yazbek on Redefining Collective Memory
“Sometimes, I believe that silence itself could carry meaning in the face of this barbarity. Sometimes, I tell myself that I’ll stop documenting atrocities and only write literature. But all of this only makes sense in the context of our desire for justice, our desire to preserve the true essence of humanity.”