Unlocking Palestine: Sara Yasin on Editing ‘The Key’
In the latest episode of the BULAQ podcast, co-hosts M Lynx Qualey and Ursula Lindsey talk with editor-writer Sara Yasin about the new publication The Key.
In the latest episode of the BULAQ podcast, co-hosts M Lynx Qualey and Ursula Lindsey talk with editor-writer Sara Yasin about the new publication The Key.
Addie Leak talks with Tugrul Mende about the translation process, literary awards, and two very different translations processes: translating one book through a riot of multilingual voicenotes and another by an author who was inaccessible, in an Israeli prison.
Tracing the Ether Contemporary Poetry from Saudi Arabia, ed. Moneera Al-Ghadeer, came out late last year from Syracuse University Press. The anthology brings together 26 poets responding to — and writing a new future for — a rapidly changing Saudi Arabia. Moneera answered a few questions about the collection.
Translator-scholar Jonas Elbousty talks with Roger Allen about his journey in the field of Arabic Studies.
In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Elliott Colla look into two dimensions of translation, which Colla calls the solidaristic and the hegemonic, and the particular role translation has played in the US military.
“Sometimes, I believe that silence itself could carry meaning in the face of this barbarity. Sometimes, I tell myself that I’ll stop documenting atrocities and only write literature. But all of this only makes sense in the context of our desire for justice, our desire to preserve the true essence of humanity.”
Iman Humaydan, Michelle Hartman, and Emma Hardy discuss the new translation of Iman’s book “Songs for Darkness” and songs as a tool for the transmission of memory, of solidarity, and as a method of resistance.
In this conversation with ArabLit’s Tugrul Mende, translator Alex Elinson talks about how literary prizes affect the translation landscape, the draw of detective novels, and how he hones voice in a novel with many starring characters.
Algerian novelist Said Khatibi talks with us about his latest novel, and the conversation turns to organ theft, the global shifts in the late ‘80s and early ‘90s, and what he hopes to illuminate with crime novels: not the whodunit, but the why.