Algerian novelist Said Khatibi talks with us about his latest novel, and the conversation turns to organ theft, the global shifts in the late ‘80s and early ‘90s, and what he hopes to illuminate with crime novels: not the whodunit, but the why.
Will Tamplin has devoted much of his work in translation to sharing the literary world of the exceptionally complex Jabra Ibrahim Jabra. In this interview, Tamplin explores his motivation behind this continuous dedication to Jabra’s work, as he dives into his experience translating The Other Rooms.
In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Zia Ahmed discuss approaching Arabic translation via English and Urdu, the layers of “outsider-ness” in translation, and the boom of narrative fiction in Oman.
In this conversation over e-mail, Sinan Antoon talks about the novel, the fraught nature of collective memory, the process of self-translation, and the sort of “security checkpoints” a book must pass through in the process of translation.
In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Jonathan Wright discuss Wright’s start in literary translation, its divergence from the sort of translation he practiced as a journalist, and his ideas about what he calls Arabic polyglossia.
Several authors who contributed short stories to the collection spoke about their thoughts on the collapse of time, historical continuities and the notion of fighting ideological fantasy with fiction.
This is part of an interview with the Lebanese author Hoda Barakat that took place on September 30 2025. It has been translated from French and edited for clarity and length. You can also listen to the BULAQ episode based on this interview, in which we also discuss Barakat’s unique life journey and works.
This December 15, Dar Arab is set to publish Belal Fadl’s The Completely True Tales of Um Mimi and Shari The Adulterer, brought to English by first-time translator Osama Hammad. This darkly humorous coming-of-age is set in a grittily, over-the-top, darkly funny 1990s Cairo. It was originally published in Arabic in 2021 and longlisted for the International Prize for Arabic Fiction in 2022. Here, Hammad talks about how he came to translate this novel, the challenges of translating humor, and what makes this novel so special.
In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Michelle Hartman discuss how the conceptual framework of solidarity raises important questions about translation, what it means to share (or not share) political commitments with an author, and ways of making co-translation equitable.
