Novelist Mahmoud Saeed and poet Faiza Sultan remember Mosul’s libraries in the 1950s and 1990s.
When Ali Bader’s The Ungodly Woman is published by Dar Noon, it will already have been an incipient film project, a part of the Iraqi arts exhibition at the Venice Biennale, and a French play, produced by a feminist organization in Belgium:… Read More ›
The battle over memories and representations of Iraq in US discourse rages.
Just days before the announcement of the 2015 International Prize for Arabic Fiction longlist, OneWorld and Penguin announce that they’ve bought English-language rights to the 2014 winner.
On December 25, the New York Times ran two long pieces — “Human Costs of Forever Wars, Enough to Fill a Bookshelf” and “A Reading List of Modern War Stories” — that have prompted this holiday re-run.
Alexandra Atiya talks with Iraqi novelist Muhsin al-Ramli about his Dates on My Fingers, trans. Luke Leafgren (2014), a novel that began in the wake of destruction.
Reviewer Alexandra Atiya found a challenge to received ideas of masculinity in Iraqi novelist Muhsin al-Ramli’s “Dates on My Fingers” (2014), translated by Luke Leafgren.
Issue 51 of Banipal magazine focuses on pioneering Iraqi poet Saadi Youssef, who was born in 1934 near Basra.
Arab authors must engage more with futuristic fiction, al-Mustafa Najjar argues.
“Mahmoud captured worlds that have disappeared: the Baghdad of his youth and Prague under communism. His style was uniquely his own and his voice was always clearly identifiable.”
Of course PW’s reviewers haven’t read all the books that have come out this year — and likely few of the Arabic books in translation, which are not widely reviewed — but they did choose “The Corpse Exhibition” from a pool of around 9,000.
This month, Words Without Borders has focused on “Writing Exile.” As you might expect, many of the featured authors write in Arabic.