Nizar Qabbani’s 1967 Letter To Gamal Abdel Nasser
“Whoever loves his country, Mr. President, purifies its wounds with alcohol, and with fire cauterizes—if need be—the areas that are wounded.”
“Whoever loves his country, Mr. President, purifies its wounds with alcohol, and with fire cauterizes—if need be—the areas that are wounded.”
At the end of last month, three writers — Mona Kareem, Deepak Unnikrishnan, and Krupa Ge — talked about translation, transience, the Gulf, belonging, and more.
“The divide among poets has added a diaspora to the spatial diaspora, which scattered Syrians around the world.”
For that reason, Wardi’s words have been at the forefront of the current Sudanese revolution. He’s recalled as a strong example of a great artist who proved strong and steadfast in opinions, words, and actions. His revolutionary-themed pieces, which document crucial chapters of Sudanese history, have been used as rallies’ chants and played on the sit-in site loudspeakers.
The thirteenth and fourteenth centuries were — among other things — a wonderful period for Arabic cookery compilations, several of which have recently been translated to English.
This look at the women who seem to have disappeared in scholarship about the Arabic popular epics is a re-run from Women in Translation Month (#WiTMonth) last year.
“This, too, felt like an insult, despite the fact that I have never identified as either Sudanese or Egyptian.”
Salim fans can rejoice now to see this pure marvel — mad and dangerous writing full of poetry — that will be available in bookstores again.
The relationship between Palestinian poet Mourid Barghouti and Egyptian novelist Radwa Ashour — as traced through their literary works — is one of the twentieth century’s great love stories.