New Poetry in Translation: ‘Obituaries’
“The city wakes up in obituaries.”
“The city wakes up in obituaries.”
“I want to step out on my balcony and hang my laughter out on the clothesline, so that passersby can catch hold of it, scale the wall to the fourth floor, and laugh with me.”
Saïd Khatibi’s I Resist the River’s Course — on the shortlist for the 2026 International Prize for Arabic Fiction (IPAF), with a winner set to be announced online April 9 — chronicles half a century of Algerian history, from the Second World War to the early 1990s.
On a review that nearly didn’t happen.
This essay, by the extraordinary Syrian writer Samar Yazbek, appears in our latest issue, SYRIA: Fall of Eternity, ed. Ghada Alatrash and Fadi Azzam.
“It is no easy task to tell the Syrian tale, one that is written—and still being written—in the midst of both darkness and light.”
“In the beginning, we considered his visit nothing more than an illusion or a daydream, until one evening the village dogs suddenly hushed and stared, bewildered, into the darkness.”
Algerian novelist Said Khatibi talks with us about his latest novel, and the conversation turns to organ theft, the global shifts in the late ‘80s and early ‘90s, and what he hopes to illuminate with crime novels: not the whodunit, but the why.
This is the story of Zafaran, a young man trying to escape the labels slapped on Sabeans, who leaves Baghdad hoping to find freedom in a small village. Yet, as soon as he arrives, he is recognized as the “Sabean,” and his life takes a new turn, such that he not only faces the myths about Sabeans but the village’s inner darkness.